In Memory of Poet, ‘Annah Sobelman January 16, 1954 – July 31, 2017
Poem excerpt from Dandelions for the Threnody
from In the Bee Latitudes (New California Poetry, 2012)
initially published in Volt
— Then looking while I’m walking outside in air like a muscle ( inside and
outside the random sprinkling of full-grown dandelions near the river , the life
just above the ankles , not eternity , some of the dandelions spraying
xxxxxxxxtheir yellow into their biggest fullest
flow and after this no place left to go fuller
xxxxwhich is still their most
excruciated , ascendant unrecalcitrant , to the limits to the
xxxxexact precipice falling stepping
xxxxxxxxxxxxxxxxxxxxxxxxxxx off after which is not dandelion ) I find
myself being lavished all out in my glance , almost
as air , over these dandelions and through the wind in the air near the river
from its circumference though I cannot discern where its center
Welcome to the Taos Journal of International Poetry & Art, our 10th Anniversary issue, the first open submission of the journal, with the theme Sensual Organs of a Living Earth.
Hundreds of submissions poured in from around the country as well as from across a few oceans during the month of May, and as editors we read each poem with great care, attention, and appreciation.
This outstanding issue (two pages of poets so click on the tab (older) at bottom of first poetry page to find the second page of poets!) includes the poets Kyce Bello, Christopher Brant, Lynne Burnett, Lauren Camp, Bernadette Cullen, Jon Davis, Tara Elliott, Xenia Emelyanova, Beth Enson, Morgan Farley, Annie Finch, CMarie Fuhrman, C. John Graham, Christine Hemp, Branwyn Holroyd, Elizabeth Jacobson, George Kalamaras, Arthur Kaysakian, Irene Koronas, Kevin Lynch, David Mason, Michelle Menting, Mary Meriam, Eugenio Montale, Gary Worth Moody, Sawnie Morris, Terri Muuss, Jules Nyquist, Kate O’Neill, Margaret Randall, Stella Reed, Jamie Ross, Miriam Sagan, Cintia Santana, Katherine Seluja, Jane Shoenfeld, Mervyn Taylor, Alexandra van de Kamp, Angie Vasquez, Andrea Watson, Carolyn Whelan, Mary Jane White, and Katherine E. Young.
In our Book Review & Essay section, you’ll find three essays, written by William Barnes, Dean Kostos, and Thérèse Soukar Chehade, as well as a tribute by our book review and essay editor, William Barnes in response to ’Annah Sobelman’s first poetry collection, The Tulip Sacrament.
You will find a selection of Art from our first five years from talented gifted artists, sculptors, and photographers: Paul Strisik, Deborah Rael-Buckley, Lenny Foster, Barbara Zaring, Nina Anthony, Sasha vom Dorp, Terry Graziano, and Taos Society of Artists.
Once again we want to acknowledge the extraordinary contribution 3: A Taos Press offers to the world of poetry, its philosophy to “illuminate history, both universal and private, reaching for the highest level of art, both in the poetry and book design. 3: A Taos Press remains true to the beauty of the word and the beauty of the work.”
Editor, Catherine Strisik’s second book, The Mistress was recently honored with the 2017 New Mexico/Az Book Award in Poetry; with Essay/Review Editor William Barnes’ The Ledgerbook being named as a finalist for First Book Award. Each book, The Mistress and The Ledgerbook are published by 3: A Taos Press, as well as co-editor Veronica Golos’ third collection, Rootwork.
Seshat, whose image introduces the journal, is the Ancient Egyptian goddess of wisdom, knowledge, and writing. She was known by the epithet “Mistress of the House of Books” because she looked after the library of the gods and was the patron of all earthly libraries. She was also patron of all forms of writing.
Our mission is to discover poetry, art, and literary reviews/essays that raise the hair on our arms, therefore our consciousness; Poetry that excites with passion, syntax, and craft; Art that remains an image in one’s eye. As poets living in Taos, New Mexico, U.S., amid astounding horizontal beauty of mesas, vertical allure of mountains, we are searching too for splendor; intricate and singing. Our vision is wide and inviting to both experimental and formal poetry, photography, visual art, sculpture, reviews and essays.
Taos Journal of International Poetry & Art is a non-profit organization. Your continued tax-deductible contributions are greatly appreciated.
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