Interview with Sawnie Morris by Catherine Strisik

Kristina Marie Darling

Silence in Poetry

Thérèse Soukar Chehade

Madame Latte

Trailing the Sun’s Sweat

A “Dark Star” Passes Through It

Looking for Sunlight: poetry in the oil fields

Larry Levis’s The Darkening Trapeze: Last Poems

Why Now?

ROOTWORK

Khayyam: an infinite pursuit

Can a Poem Listen?: Variations on Being – White

Liza Katz

Developing an African Women’s Canon in French

LETTERRS

Notes of a Native Daughter

Puerto Rican Poetry and Dreams of the Independence: A Family Affair

H.L. Hix

Limitless Poetry, Open Poetics

To Poetry, With Love

Elizabeth Robinson

The Line Never Ends

With Pleasure: Gertrude Stein and the Sentence Diagram

The Poet’s Novel & Poetic Sentence as Liminal Space

Dan Beachy-Quick

Of Time and Timelessness in the Poetic Sentence

Michael Todd Steffen

The Eternal Present of Joan Houlihan’s Us Cycle, Ay the Sequel

A Discussion of Cynthia Arrieu-King’s Manifest

Rabbi Jill Hammer

Sexuality as Revelation in the Writings of Yehuda Amichai and Veronica Golos

excerpt from Bryher: Female Husband of Modernism

Review of Each and Her by Valerie Martínez

Review of Thousand-Cricket Song by Catherine Strisik

Review of Sex Libris by Judith Taylor

Lucy Bryan Green

Broken Gates, Ken McCullough

In the Beginning… and Later

3 A.M.

That Fall, Christine Hemp

At the Feet of the Mystery

Taos Society of Artists

Taos Society of Artists, Founders

Sark: An Island Journal

Rachel Eliza Griffiths and Mecca Jamilah Sullivan

Conversation on the Black Female Body

Howard Rambsy II

Tyehimba Jess, Leadbelly, and that Haunting Lesson

Michael T. Young

Rivering, Dean Kostos

Eros: The Invisible Protagonist in The Feast of Love

A Way of Joining the Poems of Philip Levine & Larry Levis

Odd One Out: An Interview with Joan Houlihan